Cover Reveal

a grey-suited man and a woman in a red fringed dress, red shoes and fishnet stockings, are in a tango stance, her leg wrapped around him.

Woohoo. Here’s the cover of ‘The Usual Story’ – a delicately fragmented story of memory, intrigue and passion. The book will be released on 25 July. Much excitement.

The cover image shows the fabulous legs of tango dancers and teachers Mimi and Teddy from ‘A Little Buenos Aires‘.  Mimi and Teddy, who run regular tango workshops and milongas, very kindly let me use their photo.

“Tango is a dance of passion. It draws partners into an intimate relationship. Sofia loves to tango but, as she dances, she is confronted by society’s infatuation with the young and the beautiful.”

Pre-release copies available from publisher Ginninderra Press or you can order a copy from your favourite bricks and mortar bookseller, online retailers or on Kindle, etc.

I’m so excited about ‘The Usual Story‘, a prequel to ‘The Crystal Ballroom.  And thrilled my books are out in the world where people can read them.

If you’d like to write a review of the book on Amazon or Goodreads it would be fantastic.

Counting down to launch.

ThreeBookCovers3

 

 

Publication Update

a man and woman dancing tango

On Tuesday I posted the corrected final proofs of THE USUAL STORY back to publisher Ginninderra Press.  Am now in the home stretch for July release of the book, a prequel to THE CRYSTAL BALLROOM.  Have finalised the blurb for back cover and obtained copyright approval for front cover image.

The primary goal of proofing is to serve as a tool for customer verification that the entire job is accurate. Prepress proofing (also known as off-press proofing[4]) is a cost-effective way of providing a visual copy without the expense of creating a press proof.[5] If errors are found during the printing process on press, correcting them can prove very costly to one or both parties involved. – Wikipedia

I’ve been working on the back cover Book Blurb for the last couple of months – rewritten it maybe 300 times. But I think it reads well now, so well I hope readers won’t be disappointed when they read the book itself. Hopefully the story lives up to its promise.

Like THE CRYSTAL BALLROOM, THE USUAL STORY is written in stand-alone discreet chapters. Versions of several of the chapters were first published as short stories in literary journals. I connected the stories by using segments as linking devices: the main character’s telling of the aftermath of a painful affair, her search for understanding of what went before, and the tango. It’s not an easy thing to do. My proof reader said the manuscript reads like a novel, rather than as a collection of linked stories. Am very happy to hear that. Another term for the structure of the book is novel-in-stories.

‘While the short story pauses to explore an illuminated moment, and the novel chugs toward a grand conclusion, the novel in stories moves in spirals and loops, a corkscrewing joy rode.’ – Danielle Trussoni

So corrected final proofs are now with  Ginninderra Press in Adelaide, a small but prestigious publisher.

The next step towards a July release of THE USUAL STORY –  a delicately fragmented story of memory, intrigue and passion –  is the uploading of the files to the printer.

An exciting time.

 

Poem in Anthology

full length of man sitting on floor

 

red book cover of Wild anthology

Wow! Exciting news. I’m delighted to say my poem BRONTE BEACH has been selected for inclusion in the Ginninderra Press Wild Anthology. The anthology has been edited by Joan Fenney and includes 159 talented poets from across Australia exploring the many facets of ‘wild’ – human, animal, environmental and metaphorical. The book will be launched on 7th July as part of the Ginninderra Press 10 year celebrations in Port Adelaide. I’ll be in Adelaide reading my poem at East Avenue Books in Clarence Park at 2pm on 8th July. Would be great to see you then.

One-Page Review of The Crystal Ballroom

author holding copy of The Crystal Ballroom

 

I was delighted to see a one-page review of my novel ‘The Crystal Ballroom‘ in October Quadrant magazine (available now in newsagents or on-line).

Penelope Nelson writes:

‘Have you ever heard Latin American music coming from an upper room over a shop, and lingered briefly at the sign about dancing classes? Perhaps you have seen people–a man in built-up shoes or a woman with a surfeit of silver bangles–heading for an old town hall after dark. The world of ballroom dancing and tango lessons has its own etiquette and hierarchies. Libby Sommer’s new fiction ‘The Crystal Ballroom’ lifts the lid on the delights and pitfalls of this fascinating sub-culture …

‘Sommer has great skill in creating atmosphere. The music, the swirling scents of aftershave and sweat, the decor of ballrooms, flats, motels and shared tents are powerfully evoked …

‘Some of the best passages in the book express the joy of dancing:

We’re practising walking the length of the hall. Alberto says that in Buenos Aires students of tango spend two years just learning to walk properly.  “Extend forward,” he says, “step forward, only placing the weight on the extended leg at the last moment, toes pointed, sides of the feet staying connected on the floor.” Then backwards with a straight leg, torso pulled up, chest up and out, and with a partner again, always there’s that special connection with a partner.

Hopefully, this wonderful review by Penelope Nelson will give sales of the book a boost. ‘The Crystal Ballroom’ is available directly from Gininnderra Press, in bookstores, and online.

red and black The Crystal Ballroom book cover

 

 

 

Another great review for The Crystal Ballroom

 

The Crystal Ballroom book covers

I was delighted to read another wonderful and insightful review of The Crystal Ballroom this morning. It’s on Goodreads.

Here’s an extract:

An intriguing book, neither a collection of short stories nor a novel, but a series of vignettes – snapshots − of women, no longer young, but who are determined to wring every drop of verve and excitement out of life. Most of the action is revealed in conversations over coffee or drinks, between the protagonist, Sofia and her friend Ingrid. The ‘glue’ holding the story – or rather stories − together is a love of ballroom dancing and the venues in which such events are held, in particular the Crystal Ballroom, which is a character in its own right. 

In this unusual book Libby Sommer puts women’s psyches under the microscope – their hopes and dreams, fears and foibles – yet always with a deft touch and a sympathetic ear. 

You can read the whole review here.

A novel-in-stories

The Crystal Ballroom red and black book cover

Three weeks till launch of my second novel ‘The Crystal Ballroom’, a novel-in-stories.

So what is a novel-in-stories? One famous example  is Elizabeth Strout’s Pullitzer Prize-winning ‘Olive Kitteridge’.

‘A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two.’ – Goodreads

‘In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.’

yellow Olive Kitteridge book cover

A novel-in-stories, or connected short stories that together become more than the sum of their parts,  is also known as a short story cycle.

‘A short story cycle (sometimes referred to as a story sequence or compositenovel) is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts.’ – Wikipedia
The Canterbury Tales book cover
‘A novel-in-stories is a book-length collection of short stories that are interconnected. (One of the very first examples of this genre is The Canterbury Tales; a more recent example is The Girl’s Guide to Hunting and Fishing, by Melissa Bank.) A novel-in-stories overcomes two key challenges for writers: the challenge of writing a novel-length work, and the challenge of publishing a book-length work of unrelated short stories. (Few publishers are willing to publish a short-story collection from an unknown writer.) So, the novel-in-stories helps you sell a story collection like you would a novel—as long as the interconnected nature of the stories is strong and acts as a compelling hook. Another advantage to novels-in-stories is that they afford you the opportunity to publish pieces of your novel in a variety of literary magazines, which might attract the attention of an editor or agent.’ – Writer’s Digest

‘The Crystal Ballroom’ is connected by place and by a first person narrator and her friend who exchange stories about the characters they meet at the singles dances as they search for a regular dance partner.

The book will be launched by Stephen Matthews on 1 July in downtown Melbourne at Collected Works Bookshop at an afternoon of launches and book reading to celebrate Ginninderra Press’s 21 years of independent publishing.

Counting down. Can hardly wait.

Launch Event

red and black The Crystal Ballroom book cover

Save the date! Help me celebrate the launch of my new book on Saturday 1 July. My second novel The Crystal Ballroom – stories of love and loss in the singles dance scene – will be launched by Stephen Matthews at Collected Works Bookshop, Level 1, Nicholas Building, 37 Swanston Street, Melbourne at an afternoon of book launches and readings to celebrate award-winning Ginninderra Press’s  21 years of independent publishing.

Hope to see you then 🙂

 

 

Publication day!

 

The Crystal Ballroom red and black book cover

My second novel, The Crystal Ballroom is released today! If you’re in Australia you can order a copy from your favourite bricks and mortar bookseller or directly from Ginninderra Press. Print and ebook editions are also available from Amazon, Book Depository and other online booksellers.

‘Libby Sommer lays bare the foibles of human nature in her finely observed stories of love and loss in the singles dance scene. Brilliantly drawn with wit, compassion and poignancy, the characters you meet in The Crystal Ballroom are sure to remind you of someone—maybe even yourself.’ – Jan Cornall, Writer’s Journey.

 ‘Libby Sommer exposes the secret lives of the singles who dance at The Crystal Ballroom. Authentic and powerful, this unique book will be loved by the dancers and readers.’ Frida Kotlyar, ballroom, Latin and Argentine tango dancer.

 ‘Libby Sommer’s fiction has wit but is essentially serious with a subtle but strong underlying pathos, a wry humour and accomplished satirical tone.’ – Amanda Lohrey, Australian writer, and novelist. Patrick White Award winner.

‘Sommer’s existentialism is one of the best and most articulate voices of middle age angst ever.’ –Richard English, novelist and Visiting Lecturer, Brunel University London.

The book will be launched at Collected Works Bookshop in Melbourne on 1 July. Details to follow. If you’re free, come along.

I hope you enjoy reading The Crystal Ballroom: stories of love and loss in the singles dance scene. I’m very excited that My Year With Sammy and The Crystal Ballroom are out there in the public arena – thrilled that my work has finally made it out into the world after all these years.

Have made it to the top of the mountain

red and black book cover 'The Crystal Ballroom' by Libby Sommer

Have finally made it to the top of the second-book-publication mountain. Received pre-release copy of The Crystal Ballroom this week. Looking good. You can order copies now through the Ginninderra Press website . Also available as an ebook from Amazon, Book Depository and other online sellers.

‘Libby Sommer lays bare the foibles of human nature in her finely observed stories of love and loss in the singles dance scene. Brilliantly drawn with wit, compassion and poignancy, the characters you meet in The Crystal Ballroom are sure to remind you of someone—maybe even yourself.’ – Jan Cornall, Writer’s Journey.

 ‘Libby Sommer exposes the secret lives of the singles who dance at The Crystal Ballroom. Authentic and powerful, this unique book will be loved by the dancers and readers.’ Frida Kotlyar, ballroom, Latin and Argentine tango dancer.

 Happy happy me.

Book cover reveal

'The Crystal Ballroom' book cover

The book cover at last! My second novel, ‘The Crystal Ballroom’ will be published by Ginninderra Press in May this year. Pre-launch copies available next month. A very exciting time for me.

Here are a couple of reviews from the back cover:

‘Libby Sommer lays bare the foibles of human nature in her finely observed stories of love and loss in the singles dance scene. Brilliantly drawn with wit, compassion and poignancy, the characters you meet in The Crystal Ballroom are sure to remind you of someone—maybe even yourself.’ – Jan Cornall, Writer’s Journey.

 ‘Libby Sommer exposes the secret lives of the single men and women who dance at The Crystal Ballroom. Authentic and powerful, this unique book will be loved by the dancers and readers.’ Frida Kotlyar, Ballroom, Latin and Argentine Tango dancer.

What do you think of the cover design? I love it 🙂