From acceptance to publication

 

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Over the weekend I finished correcting first proofs of THE USUAL STORY, a prequel to THE CRYSTAL BALLROOM and posted them back to Ginninderra Press in Adelaide. Final proofs next. We’re on track for a July release. An exciting time.

red and black book cover The Crystal Ballroom

This is my third book, so I’m getting used to the publication process. After acceptance of the manuscript by Ginninderra Press in July 2017, eight months later I received first proofs. These I’ve read and corrected.

In the meantime we have been discussing the cover image. Ginninderra Press is a small but prestigious publisher and I’m able to have a say in cover design. This doesn’t happen with a larger publisher. I am also in communication with GP about a quote to put on the front cover to attract sales and a blurb for the back cover.

Blurbs are very difficult to write. I had a chat with my good friend the talented author Susanne Gervay today about my blurb. She did a brainstorming session with me and I think we’ve got a few lines together that will make people want to read the book.

first proofs, The Usual Story by Libby Sommer

Actually, first draft of the blurb is:

‘Tango is the dance of passion, forcing partners into an intimate relationship. Sofia loves the tango, but at the dances she comes face to face with the truth of her aging in today’s culture that has very little use for anything that is not young.’

What do you think? I would LOVE some feedback on this blurb. Please give me your response in the comments section. I’m not a good big-picture-person like my friend Susanne. I’m more into observing small details, which is good for prose and poetry but not for writing pitches and blurbs.

I asked Les Murray, Nobel Prize nominee for Literature, who is also Literary Editor of Quadrant magazine, if he would read THE USUAL STORY and write a couple of lines for the back cover. He said yes. Wow! I’m so delighted. He knows my work well having published many of my short stories and poems. So first proofs have also been posted to him.

So that’s front and back cover. And then there’s a dedication page to be added, acknowledgements, etc.  Versions of three of the chapters in THE USUAL STORY were first published in Quadrant so this needs to be acknowledged.

Then comes final proofs. Professional proof readers are very expensive so I’m hoping my eldest son with the PhD will proof read for me this time. TBA.

Then comes Cover Release with a big beat up on social media. I post regularly on Instagram and Facebook and less regularly on Twitter and Pinterest. I think the cover looks terrific. It’s not all finalised yet. I asked two tango dancers I know for copyright clearance on one of their images that shows the two of them dancing the tango. It’s one of the photos they use to promote their classes at A Little Buenos Aires. They said yes, as long as I acknowledge copyright ownership. So that’s great. It’s an eye-catching pic and would look good beside THE CRYSTAL BALLROOM in book stores.

Next step is pre-release copies announcement. Social media again.

Then details of the release date of THE USUAL STORY. Champagne and balloons and a lot of brouhaha when the book is finally available to the public.

I am not planning to have a book launch. Unfortunately, I am a very shy person and hate being the centre of attention. I had a launch for my first book and it was very successful. However, I was so anxious I thought I was having a heart attack. So not doing that again. A shame because book launches are a good way to sell books. Because this book also features a lot of tango dancing, I am thinking I could have a soft launch at a milonga or tango dance. Just a slice of chocolate cake and a glass of champagne at half time. Or not.

Submit your work

sunrise over the ocean

Arrived home from hospital after joint replacement to the exciting news that my poem, ‘Between the Islands of the Pacific’ has been accepted for publication in Quadrant magazine. Feel honored to have a third poem accepted by this prestigious Australian literary publication. Happy happy me. The hard work pays off.

I do have a box full of rejection letters from over the years. My advice to you is to keep writing, keep reading, keep refining your work, keep submitting. ‘Between the Islands of the Pacific’ was the fifth poem I sent to Quadrant this year. The others were rejected.

P is for persistence and perseverence.

Enter Writing Competitions

 

the city of Lisbon, Portugal with sea and sky in the background
Lisbon, Portugal

One of the ways we can get noticed as writers is to enter writing competitions. You can join local and international writing groups and associations that send out newsletters letting you know when, what and where to enter.

I can’t remember entering this particular competition, or where I saw the information, but I am thrilled and delighted to tell you that an excerpt of my WIP, Lost in Cooper Park is a runner-up in 2018 Disquiet Literary Contest.  There were over 1,000 entries. I have been awarded a partial scholarship to attend the Disquiet International Literary Program in Lisbon, Portugal. Such exciting news.

The judges said of my entry:

“… an excellent domestic psychological drama, reminiscent of Sally Vickers (The Other Side of You) written in beautiful, striking prose. It has an incredible memorable opening. The author has a voice that is unique to her and that, at the same time, is particular to the narrative. The story moves between places and narratives with deftness, knowing precisely when to leave a thread open and when to pick it up again.”

Whoo hoo.

I recommend staying up to date with competition deadlines. This keeps you motivated to finish a piece of writing by the date specified. Subscribe to writing groups and newsletters that alert you to closing dates. I am a member of the NSW Writers’ Centre, Society of Women Writers’ NSW, Australian Society of Authors, and other writing groups on Facebook.

Wishing you the best of luck.

Woman walking through Cooper Park with her dog.
Cooper Park

 

Short Story: Helen

 

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Another one of my short stories, first published in Quadrant magazine June 2015, inspired by visits to France.  Each year, if possible, I rent a studio for a month in a little fishing village in the south of France. I refer to these periods of quiet time away as a Writing-Retreat-For-One. A great place to read and write and go for long walks and, hopefully, come up with story ideas.

Although she loved her nieces and nephews, it was when she turned thirty-nine that driving young children around in her car seemed to make her nervous—a tightening in the stomach.  “Aunty Helen, would you like to take Naomi to see The Muppets?  Are you free?”  Always these requests from one of her sisters looking tired and desperate—one of her younger siblings, they used to be so close—and Helen would force herself to make the effort to be the good aunty.  The responsibility of passengers in her car always made her anxious.  She was anxious about one thing or the other most of the time, but wanted to appear selfless and generous-spirited.  Her availability, or non-availability, was noted, itemised, either in her favour, or against her.  She didn’t want to be labelled self-obsessed.  She had entered an era when the nicest thing a person could say to her was, “You’re a fabulous aunty.  The kids love you.”  Continue reading