To Plot Or Not To Plot

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Plot means the story line.  When people talk about plotting, they mostly mean how to set up the situation, where to put the turning points, and what the characters will be doing in the end.  What happens.

Some fiction writers write organically, not knowing where the story they are writing is going.  These writers say it would be boring to know what’s going to happen next and they lose their enthusiasm to tell the story because they know the outcome already.  They prefer throwing themselves over the edge and into the void.  This method can be very anxiety-producing.  It means you need a lot of faith in your process.

 

Other writers plan the story before they begin.  In detective fiction the story definitely needs to be worked out beforehand so information can be drip-fed to the reader.

 

In the past, when creating my short stories, I have worked organically and not known where my stories were headed as I wrote them.  The shorter the piece of fiction, the less need for plot.  You can write an interesting story in which not very much happens.  A woman fights with her neighbour, a man quits his job, or an unhappy family goes out for a pizza.  Simple structures work better than something too complicated when the story is short.

 

Now that I’m working on a new novel, I feel the need to plot. Continue reading

Book Launch

mother and daughter with book and signing pen

My daughter, Erika and me at the launch of my new book, My Year With Sammy.  Notice the fountain pen in my hand ready for all the book signings 🙂   The cover of the book is a painting by my talented daughter.

The book was well reviewed nationally in newspapers and magazines in Australia and internationally on Goodreads.  I am very happy, especially as it’s my first novel to be published.

Here is what Kerryn Goldsworthy said when she named the book ‘Pick of the Week’ in Spectrum Books.

“Eight-year-old Sammy and her long-suffering elder brother, James, spend alternate weeks in the home of their mother, Madelaine, and that of their father and his new girlfriend.  The story is mostly told by Sammy’s maternal grandmother, who helps out as much as she can, and Madelaine needs a lot of help because Sammy is wilful, stubborn, determined and strange, and given to tantrums.  Libby Sommer writes about this sort of child with more delicacy and intelligence than any other writer on this topic that I’ve ever read.  Without sentimentality, she explores the desperation of dealing with a difficult child while staying patient and open-minded.  There is no clear diagnosis, only day after day of struggle, all of it negotiated within Sommer’s sharp and subtle observations of Australian society.”

An excellent review.  And many more on Goodreads.  🙂

who I am and why I blog

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My name is Libby Sommer and I’m a Sydney writer.  My first book, ‘My Year With Sammy’ was published by Ginninderra Press in December, 2015.  It’s available as a paperback and an eBook.

I started to blog on WordPress in February this year as a way to communicate with other writers and readers and to share some of the things I’ve learnt .  32 of my short fictions have been published in literary journals in Australia and the U.S.  I post one of these stories each fortnight on WordPress.  Every other week  I post something about the writing process.  My tips concentrate on one aspect of the craft of creative writing.

My second book, ‘Tales of the Crystal Ballroom’ has been accepted for publication by Ginninderra Press and will come out later this year, or early next year.  The stories are about some of the characters who dance in a fictional dance hall.  My short story ‘At the Festival’ is published May 2016 in Quadrant.  And I’m proud to say I’ve had a poem accepted for an anthology of Social Justice poems to be published by Ginninderra Press in July 2016 to celebrate their 20 year anniversary.  Sorry for the shameless Self Promotion.

As I live and work alone, blogging is a way for me to connect with a community of like-minded people.  Isolation is the bane of the home office worker.  As a creative person, we need heaps of time and space alone and we work in a room all by ourselves, although my preference is to work with pen and paper in a cafe surrounded by other humans.  We also need stimulation and social interaction.

My children are grown up and lead their own lives.  My life mostly consists of reading and writing, working out at the gym, Yoga, coffees or lunch with friends, spending time with family, movies, long walks in nature, bush dancing (previously Ballroom and Latin American dancing).  It’s a pretty good life, except for that damn problem of isolation.

Around Midnight

painting of nude reclining woman on ceramic platter
Ceramic painting by Libby Sommer 2008

 

‘When are you open?’ Anny asks the woman on the telephone.

‘We have a party twice a day.  Every day.  Twelve thirty to four thirty and seven thirty to midnight.’

‘Oh.  Every day?  I thought it was Saturday nights only.’

‘No darling.  Every day.’

‘So what’s the setup?’

‘$120 for a couple.  Nothing if you come on your own.  What’s your position.  How would you come along?’

‘On my own.’

‘It would cost you nothing then.’

‘But what do you do?  I mean, I know what goes on there.’

‘You’ve been here before?’

‘No.  A friend told me about it.  What do you wear?  What’s the setup?’

‘It’s all up to you love.  If you fancy a gentleman you invite him into one of the rooms.’

‘What do you wear though?  My friend said something about robes.’

‘Towels. They’re towels love.  You wear whatever you like.  Normal clothes.’

Continue reading

How to Beat Resistance

white book on wooden table

How many wonderful ideas have we had in our lives that never became anything more than ideas?  What stopped them from becoming reality?  Probably lack of drive, or fear, or both.

If the idea of writing a story, writing a memoir, or writing a blog lights a spark within you, sets off a signal, causes you to drool—or fills you with unspeakable anxiety—then you are ready to write.  What is holding you back is not lack of drive, but fear.  Unadulterated, stark fear.

 

 

  • Fear of what?
  • Fear of being unable to write well and being criticized by others?
  • Fear of being unable to stay on track long enough to get to an ending?
  • Fear that you just don’t have what it takes to maintain focus to tell a good story?

 

Research into the way the brain operates has revealed that there are two sides to the brain, left and right.  Much of our fear of writing comes from the way these two sides do or don’t work together.

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After the Rain

silver pen on writing pad on antique pine settle

Just before six o’clock on Friday evening, Anny and Gordon get out of Anny’s Honda.  They walk down Bondi Road passing the tattoo shop, the vegetarian restaurant and yet another new Thai restaurant.  The road is unusually quiet and Anny has parked directly opposite the fish cafe where she’s taking Gordon for dinner.  The streets aren’t grid locked during the Olympics after all and there’s an unusual calm on this usually noisy busy road.

Walk in front of me, says Gordon as they head towards the traffic lights and the pedestrian crossing.  I can see better if you walk slightly in front of me.

She doesn’t know whether to offer him her arm or what.  She feels embarrassed at the thought of close physical contact with him and is pleased that he’s told her to walk in front.  At least she knows now the best way to progress along the street with him.  Not like the snail’s pace of the week before.

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10 Topics for Writing Practice

books on Victorian mahogoney dressing table

Sometimes we sit at our desks to write and can’t think of anything to write about.  We face the blank page.  We sit there until blood pours from our foreheads, as one famous author was heard to say.

 

Making a list can be good.  It makes you start noticing material for writing in your daily life, and your writing comes out of a relationship with your life in all its richness.

 

 

10 ideas for writing practice:

  1. Begin with “I don’t remember”. If you get stumped, just repeat the words “I don’t remember” on the page again and keep going.
  2. Tell about sound as it arises. Be aware of sounds from all directions as they arise:  sounds near, sounds far, sounds in front, behind, to the side, above or below.  Notice any spaces between sounds.
  3. Tell me about last evening. Dinner, sitting on the couch, preparing for bed.  Be as detailed as you can.  Take your time to locate the specifics and relive your evening on the page.
  4. Tell me what boredom feels like.
  5. See in your mind a place you’ve always loved. Visualise the colours, the sounds, the smells, the tastes.
  6. Write about “saying goodbye”. Tackle it any way you like.  Write about your marriage breakup, leaving home, the death of a loved one.
  7. What was your first job?
  8. Write about the most scared you’ve ever been.
  9. Write in cafes. Write what is going on around you.
  10. Describe a parent or a child.

Continue reading

Work-Out

books on bedside table in front of painting of vase of flowers

FORTNIGHTLY SHORT STORY

Work-Out by Libby Sommer

first published in Quadrant

 

 

 

 

You run up the stairs to the gym avoiding the women and men from the previous class rushing down the stairs.  Keep to the left.  Give your membership card to the girl at the desk and then in through the turnstile.  Rummage for the $2 coin in your bag that works the locker.  Insert the money, leave the bag, take the towel and the bottle of water and the book to read then up the stairs to the third floor to the exercise bikes all the time hoping there’ll be a reclining bicycle free and not one of those awful uprights that hurt your bum.  Sit on the bike read your book, wipe the sweat off your face, drink from the bottle, look out the window to the workers erecting a block of apartments that are gradually blocking the view of the harbour. Warm up for 60 seconds on a low speed, then 20 minutes at a higher speed and a sixty second cool down.  Then into the main gym for the body power class.  Get a step, four platforms, a rubber mat and a long weights bar.  Two large discs, four small discs.  Stand up the front so you can see yourself in the mirror and in front of the fan.  Fight for this prime position. First the warm up, then legs, lunges, squats, chest, back, shoulders, legs, triceps, biceps, stomach.  Bend from the hips.  Clean and press.  Dead rows.   Wipe the sweat from your face, adjust the bar across your shoulders.  Knees over toes as you squat.  Straight back, stomach in to support the back, shoulders back, head up out of the neck.  Concentrate on the music, the instructor speaking, the fan in front of you.  Watch yourself in the mirror, the women beside you and behind.  Check out how old they are and if their weights are heavier or lighter.  Smell the sweat.  Swallow the water.  A quick stretch between tracks.  Calfs, quads, shoulders and back.  Lie down on the platform for the chest track.  Use your nipples as markers.  Down to the markers, up slowly.  One, two three up and then slowly down.  Vary the rhythm.

Continue reading

Short Story or Novel

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Is a novel a short story that keeps going, or, is it a string of stories with connective tissue and padding, or, is it something else?  Essayist Greg Hollingshead believes that the primary difference between the short story and the novel is not length but the larger, more conceptual weight of meaning that the longer narrative must carry on its back from page to page, scene to scene.

“It’s not baggy wordage that causes the diffusiveness of the novel.  It’s this long-distance haul of meaning.”  Greg Hollingshead

There is a widespread conviction among fiction writers that sooner or later one moves on from the short story to the novel.  When John Cheever described himself as the world’s oldest living short story writer, everyone knew what he meant.

Continue reading

Towards the End

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He leaned back on the chrome chair, stretched his legs out under the square black table and placed his mobile phone in front of him. He looked over to the counter at the back of the cafe at the cakes and muffins on display and the Italian biscuits in jars. He turned back to the glass windows and wondered if he had the guts to tell her today. He wanted to. By Christ he wanted to. He straightened up, his elbows on the table, his hands clasped together in front of his face. There’d been some good times, that’s for sure. But what the heck. A man’s got to do what a man’s got to do.

The sliding glass door clanked open and Anny walked in. He looked over at her, first from the rear as she closed the door and then as she approached, her face flushed, her dark hair flying back from her shoulders. Not bad looking. A bit on the heavy side but not a bad looker all the same. Yes, there’d been some good times. Especially in the sack.

Continue reading