My Poem ‘Survival’

Have a read of my poem ‘Survival’ first published in Quadrant Magazine. ‘Survival’ is one of the poems in my debut poetry collection ‘The Cellist, a Bellydancer & Other Distractions‘ (Ginninderra Press).

I hope you enjoy it.

Survival

More gusts of wind

through new high-rises

sharped-edged.

More traffic,

more construction dust

much overshadowing

in grey & black.

Newly-planted in the local streets

the bottlebrush should know why it exists:

nectar feeding of insects,

of butterflies & birds.

East of the city

blue beaches dazzle & swell.

They re-emerge

in a spring break out

giving hope to the lone crimson flower

squeezing through densely-packed leaves.

Copyright 2024 Libby Sommer

Writing Tip: A Novel-in-Stories

The Crystal Ballroom red and black book cover

My second novel, ‘The Crystal Ballroom‘ (Ginninderra Press) is a novel-in-stories.

So what is a novel-in-stories? One famous example  is Elizabeth Strout’s Pullitzer Prize-winning ‘Olive Kitteridge’.

‘A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two.’ – Goodreads ‘In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.’

yellow Olive Kitteridge book cover

A novel-in-stories, or connected short stories that together become more than the sum of their parts,  is also known as a short story cycle.

‘A short story cycle (sometimes referred to as a story sequence or compositenovel) is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts.’ – Wikipedia

The Canterbury Tales book cover

‘A novel-in-stories is a book-length collection of short stories that are interconnected. (One of the very first examples of this genre is The Canterbury Tales; a more recent example is The Girl’s Guide to Hunting and Fishing, by Melissa Bank.) A novel-in-stories overcomes two key challenges for writers: the challenge of writing a novel-length work, and the challenge of publishing a book-length work of unrelated short stories. (Few publishers are willing to publish a short-story collection from an unknown writer.) So, the novel-in-stories helps you sell a story collection like you would a novel—as long as the interconnected nature of the stories is strong and acts as a compelling hook. Another advantage to novels-in-stories is that they afford you the opportunity to publish pieces of your novel in a variety of literary magazines, which might attract the attention of an editor or agent.’ – Writer’s Digest

My book, ‘The Crystal Ballroom‘ is connected by place and by a first person narrator and her friend who exchange stories about the characters they meet at the singles dances as they search for a regular dance partner.

The Crystal Ballroom‘ was launched into the world by Stephen Matthews OAM at Collected Works Bookshop, Melbourne at an afternoon of launches and book readings to celebrate Ginninderra Press’s 21 years of independent publishing.

My Poem ‘Jogger At My Heels’

Have a read of my poem ‘Jogger At My Heels’ first published in The Canberra Times. It is one of the poems in my second poetry collection, ‘Flat White, One Sugar’ due for release by Ginninderra Press this year. 51 new poems by me, 21 illustrations by my granddaughter, Natasha Sommer, a graduate of The National Art School.

I hope you enjoy this poem.

Jogger At My Heels:

Each morning he races up the steep

steps of the gully and then down again

on the path I take

to buy my daily newspaper.

I recognise his exhalations just behind

and apologetic grimace running back,

urging me to move aside

to let him through,

but today I understand him

more fully than before.

Hearing my own heavy breathing

as I walk up the gigantic slope

I’m sure he’d like to say, Don’t rush

don’t rush.

… but he’s in too much of a hurry.

Copyright 2024 Libby Sommer

Photo by Nathan Cowley on Pexels.com