Writing Tip: The Creative Process

At a literary event I heard someone say, “The thing to do is put the idea in your subconscious. Your brain will do the work.”

It takes time for our experience to make its way through our consciousness. For example, it is hard to write about a journey while you are still in the midst of the adventure. We have no distance from what is happening to us. The only things we seem to be able to say are “having a great time”, “the weather is good”, “wish you were here”. It is also hard to write about a place we just moved to, we haven’t absorbed it yet. We don’t really know where we are, even if we can walk to the train station without losing our way.  We haven’t experienced three scorching summers in this country or seen the dolphins migrating south along the  coast in the winter.

“Maybe away from Paris I could write about Paris as in Paris I could write about Michigan. I did not know it was too early for that because I did not know Paris well enough.” – Ernest Hemingway, A Moveable Feast  (New York: Charles Scribner’s Sons, 1964).

So we take in experience, but we need to let things make their way through our consciousness for a while and be absorbed by our whole selves. We are bower birds, collecting experience, and from the thrown away apple skins, outer lettuce layers, tea leaves, and chicken bones of our minds come our ideas for stories and poems and songs. But this does not come any time soon. It takes a very long time (three to ten years in the case of literary fiction). We need to keep picking through those scraps until some of the thoughts together form a pattern or can be organised around a central theme, something  we can shape into a narrative. We mine our hidden thoughts for ideas. But the ideas need time to percolate: to slowly filter through.

Our work is to keep rummaging through the rubbish bins of our minds, exercising the writing muscle, in readiness to answer that knock at the door when it comes.

Rumi, the thirteenth-century Sufi poet, summed up what could be the creative process when he wrote “The Guest House”:

This being human is a guest house.

Each morning a new arrival.

A joy, a depression, a meanness,

some momentary awareness comes

as an unexpected visitor.

Welcome and entertain them all!

Even if they are a crowd of sorrows,

who violently sweep your house

empty of its furniture,

still, treat each guest honorably.

He may be clearing you out

for some new delight.

The dark thought, the shame, the malice,

meet them at the door laughing and invite

them in.

Be grateful for whoever comes,

because each has been sent

as a guide from beyond.

Jalaluddin Rumi, in The Essential Rumi
Translated by Coleman Barks, 1999

As the author Vivian Gornick said, “The writers life is the pits. You live alone and you work alone, every day I have to recreate myself.” She paused and laughed. “But when the work is going well there is nothing that compares.”

What about you? Are you ready to answer the knock at the door?  

My Story, ‘Towards the End’

colourful cafe scene

Have a read of my short story, ‘Towards the End’, first published in Quadrant Magazine. ‘Towards the End’ is one of the tales in my collection, ‘Stories from Bondi‘ (Ginninderra Press).

I hope you enjoy it.

Towards the End:

He leaned back on the chrome chair, stretched his legs out under the square black table and placed his mobile phone in front of him. He looked over to the counter at the back of the cafe at the cakes and muffins on display and the Italian biscuits in jars. He turned back to the glass windows and wondered if he had the guts to tell her today. He wanted to. By Christ he wanted to. He straightened up, his elbows on the table, his hands clasped together in front of his face. There’d been some good times, that’s for sure. But what the heck. A man’s got to do what a man’s got to do.

The sliding glass door clanked open and Anny walked in. He looked over at her, first from the rear as she closed the door and then as she approached, her face flushed, her dark hair flying back from her shoulders. Not bad looking. A bit on the heavy side but not a bad looker all the same. Yes, there’d been some good times. Especially in the sack.

Anny removed her sunglasses as she walked over and he looked into the bright green of her eyes as she bent down and kissed him on the cheek. He felt the moisture on her face as her skin touched his.

She took off her sunshade and hung it on the back of the chair and sat down.

You’ll never guess what happened, she said.

What?

I’m still so angry I can hardly speak. She pushed her hair away from her forehead as she dabbed at the sweat with a serviette.

What happened?

This man, she said. This dreadful man. Anny used her fingers to wipe the moisture from under her eyes. I was walking along the cliff path from Bondi to Bronte, like I usually do, minding my own business, when I heard a jogger behind me.

Nothing unusual about that.

So I moved further to the left to let him pass.

Yeah. That’s the rules, keep to the left.

He must have been about to pass on the inside because next moment I heard a thud and there he was picking himself up from the side of the track.

Anny stopped talking as the waitress approached with notepad and pen.

A spaghetti marinara for me, said Daniel smiling at the waitress. And a coffee.

How do you like your coffee?

He grinned at her. Hot and black, thanks.

Anny turned away from him and squinted at the blackboard. I’ll have the Greek salad and a decaf skimmed cap. And a glass of water, please.

And I’ll have an orange juice as well, said Daniel.

Daniel’s eyes followed her as she walked towards the kitchen. Then his mobile buzzed from the table. He picked it up and held it to his ear.

Yep, he said. I can give them a ballpark figure, but that’s about it. Just a ballpark. Yeah, okay then. Here’s his number. Daniel opened the front of the phone and pressed a button. 0413 501 583, he said. He put the phone back on the table its antennae sticking out towards Anny. I hate it when people say things like that, he said.

What?

Oh nothing. Just the usual crap. They all think they can get something for nothing.

Daniel’s pasta arrived first and he began to eat. He sucked in a spaghetti tail and then impatiently cut some of the pasta with his knife. He dispensed with the knife and continued to eat with his fork. He scooped up the marinara with its splayed-like prongs.

So what happened? he said as he sucked in a loose strand of spaghetti, catching its long skinny tail with his fork.

He must have caught his foot on the edge between the footpath and the grass. I was about to say ‘are you all right’ when he roared out at me ‘it’s all your fault you know’. ‘I was keeping to the left’ I said. He ignored me and ran on, red shiny shorts flapping. How dare he speak to me like that. ‘Asshole’ I called out after him. He gave me the finger up sign and kept running. I was furious.

Daniel didn’t answer as he waited for the waitress to place a plate of salad in front of Anny. He blew on his pasta before placing another mouthful towards the back of his tongue, his thin lips closing over the fork.

When I reached Bronte, said Anny. This man had finished his circuit and was on his way back. We recognised each other and he started telling me off about which side of the path I could walk on. ‘Don’t tell me where to walk mate’ I hissed. That’s when he stopped jogging and moved towards me. I thought he was going to punch me.

Really?

I was a bit scared I can tell you, but I braced myself. That’s when he said ‘you’ve got some chip on your shoulder because you’re fat and ugly’. I laughed at him because it sounded so ridiculous and as far as that was concerned it proved my point. What an asshole. Just thinking about it makes me angry.

Daniel turned away from her. He couldn’t tell her now. Not after that. He looked out the window to the truck parked across the road. ‘Dean’s Premium Natural Fruit Juice: the way it should be’ emblazoned on the side. The way it should be. That’s a bit of a joke. Well I know this is the way it shouldn’t be. He couldn’t get Louise out of his head.. That last time – her tight white t-shirt over those tight little breasts – leaning over her plate. Eating that huge roll. The sight of her opening her mouth so wide he thought the sides of her lips would crack. Stuffing it in she was. Later at her place when he couldn’t wait. Coming up behind her as she cleaned her teeth. Ramming it in.

He tore the crusty white Italian bread into small pieces and used it to mop up the remains of the sauce and wiped the red sauce from the corner of his mouth. He reached for his glass and sucked up the remains of his orange juice through a yellowed straw, then burped. He put the glass down, his broad hand wrapped around the grooved surface and leaned across the table. He looked into Anny’s face.

I have to go.

Go where?

I’ll pay the bill.

What’s wrong?

I want to make a move on that Elizabeth Bay deal.

He stood up, his keys dangling from the loop at the back of his trousers, his rubber soled shoes silent as he headed towards the door. Only the sound of his keys and then the bang of the door.

Outside he pulled out his mobile and dialed.

I’m leaving now honey, he said. I’ll be there in a few minutes.

In the cafe Anny watched from the window. She sighed, stood up slowly and then walked over to the cake counter. He’s a workaholic that bloke.

I’ll have a slice of that chocolate mud cake and a cappuccino, she said to the girl behind the register.

Copyright © 2023 Libby Sommer

Writing Tip: Spirituality and Creativity

What is the relationship between spirituality and creativity? 

The discipline and focused attention cultivated through meditation help us do one thing at a time, totally and absolutely, which greatly enhances our writing.

“Contemplative practice, daily nature walks, and still, silent listening can be among the best natural meditations. They help clarify our minds and uplift the heart, dissolving our ordinary preoccupations and mental states that dissipate the fertile spirit within. Such daily disciplines are also excellent tonics for our agitated, febrile brains and weary bodies. When we ease into the realm of non-doing–what Chinese Buddhists called wu wei–there is more room for our mysterious, unfabricated inner self to naturally emerge. ” – Lama Surya Das

It’s tough being a writer. Very tough. As Thomas Mann says, “A writer is someone for whom writing is more difficult than it is for other people.”

Dinty Moore, in his book The Mindful Writer, Noble Truths of the Writing Life, says his lifelong pursuit of writing and creativity has helped to open him to the path of Buddhism:

“Find inspiration and insight on writing as a spiritual practice through astute quotes, thoughtful advice, and productive exercises on both mindfulness and craft.  This isn’t your typical “how to write” book. Author Dinty W. Moore, a well-respected writing coach and teacher, thoughtfully illuminates the creative process: where writing and creativity originate, how mindfulness plays into work, how to cultivate good writing habits and grow as a person, and what it means to live a life dedicated to writing.” – The Mindful Writer

Here’s to Mindfulness and Meditation to help us on our way through our roller coaster lives as creative writers.

My Poem, ‘Her Amber Necklace’

amber stones that form the shape of a necklace

Have a read of my poem, ‘Her Amber Necklace’ first published in ‘The Thirteenth Floor’ XIV UTS Writers Anthology. The poem is part of my debut poetry collection ‘The Cellist, a Bellydancer & Other Distractions‘ (Ginninderra Press). Hope you enjoy it.

Her Amber Necklace:

my mothers dead

my mothers dead my brother said

he jumped in the air and

clicked his heels together

her children and grandchildren

and great grandchildren all came

jumping and bouncing

on forbidden chairs

we all laughed

now

distant lights scatter black night

a bus rumbles up Bondi Road

clock ticks in the empty kitchen

only the ticking

then

a dog barks outside

her woollen jumper warms me

her amber necklace hugs my neck

Copyright 2023 © Libby Sommer